Hanna has the plot of a Hollywood action blockbuster but the
style of a European art movie--and this unholy hybrid is fascinating to
watch. Hanna (Saoirse Ronan, The Lovely Bones) has been raised by her father (Eric Bana, Munich),
an ex-covert agent, for one purpose: to murder the American agent,
Marissa Wiegler (Cate Blanchett), who murdered Hanna's mother. Hanna
thinks she succeeds and escapes, but she's actually being followed by
Wiegler, who will go to any lengths to exterminate the girl. Hanna could have been little more than a tween reboot of La Femme Nikita, but in the hands of director Joe Wright (Atonement, Pride & Prejudice)
the movie spends as much time on Hanna's budding relationship with a
girl on holiday in Morocco as it does on Hanna's capacity to kill. Even
the action scenes have atypical rhythms (and one violent sequence occurs
in a long, sustained shot that will make film geeks squeal with glee). Hanna
is visually sumptuous, emotionally delicate, and completely unlike any
other action flick you'll see. The ending goes flat as disappointingly
banal plot mechanics take hold, but up until then, Hanna combines genuine thrills, unexpected complexity of character, and an unusual electronica soundtrack into an enthralling film. --Bret Fetzer
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